Make Your Suspense Keep Readers on the Edge of Their Chairs 2-week Intensive workshop- Mary Marvella
Let’s look at editing away the stuff that doesn’t involve our readers to create that final draft readers can’t put down!
Gut Punch: Using Emotional Conflict as Plot Intensive 2-week Workshop – Tere Michaels
We’ll examine the difference between internal conflict and external trauma and how they can bring a reader closer to the character – or drive them away.
Writing Historical Romantic Suspense – Beth Henderson
Whether you want to change history (as alternative allows you to do in various ways, just jump in your time machine) or insert characters into an earlier era and give them a crime to deal with or a crime in the making if someone is hunting them, or use actual historical personages – or not – in a real historic mystery setting…well, this workshop will touch on them all.
Plotting the Screenplay Way Intensive 2-week Workshop – Susan Palmquist
You’ll learn to use an outline, and work through a series of three acts.
Writing the Series Book Intensive 2-week Workshop – Susan Palmquist
We’ll work on your series bible, creating characters your readers will love, plots that keep them coming back for more
Why Don’t I Get 5-Star Reviews? – Beth Henderson
Not long ago at the meeting of my local critique group, one of the members whined about yet another 3* review. We all sympathized with her, then she looked across the table at me and moaned, “Yeah, but you get 5* reviews!”
Ever feel that way yourself? Then this workshop is for YOU!
Scottish Highlands
The majesty and beauty of the Scottish Highlands provide many a backdrop for historical novels.
Ready, Set, Go
Have you tried to write a novel in 30 days? Failed every time at NaNoWriMo? Not this year…