Using Emotion to Make Your Protagonist, Antagonist, or Villain Memorable – Mary Marvella
Emotion is the key, even more important than the plot.
Making Sensory Details Make Sense – Mary Marvella
The important thing about them is that we can’t just spread them around without purpose. Let’s look at ways we can add them with purpose. There are 5(or 6 grin) senses
Gut Punch: Using Emotional Conflict as Plot Intensive 2-week Workshop – Tere Michaels
We’ll examine the difference between internal conflict and external trauma and how they can bring a reader closer to the character – or drive them away.
Who Makes the Rules?
Who Makes the Rules? by Mary Marvella Joy glared at the box of discarded words. She hoped she wouldn’t need any of them to ward off the evil horde of […]
Imagination in Overdrive: Save the Plot Challenge! – Beth Henderson
Have you ever completed a story or been partway through writing one when you realized “This just isn’t working as it should”?
Character Building Part of 3 – Using Emotional Conflicts as Plot 2-Weeks, Oct 2th – Sept 13th
Core Wounds sit in the heart of every person – both real or fiction.
Writing the Historical Mystery
To solve a mystery, clearing up that who, what, when, how, and why wasn’t as involved in the past as it is today. Find out what you can and can’t use, and who the cops and sleuths were back in much earlier eras. The time machine will be waiting at the Outreach International’s virtual “door”.
Rejection Guaranteed
Does your story keep getting rejected but you’ve no idea why?
Character Building Part of 2 – Core Wounds 2-Week, Sept 4th – Sept 15th
Core Wounds sit in the heart of every person – both real or fiction.
Character Building Part of 2 – Core Wounds 2-Week, Sept 4th – Sept 15th
Core Wounds sit in the heart of every person – both real or fiction.