Using Emotion to Make Your Protagonist, Antagonist, or Villain Memorable – Mary Marvella
Emotion is the key, even more important than the plot.
Gut Punch: Using Emotional Conflict as Plot Intensive 2-week Workshop – Tere Michaels
We’ll examine the difference between internal conflict and external trauma and how they can bring a reader closer to the character – or drive them away.
Imagination in Overdrive: Save the Plot Challenge! – Beth Henderson
Have you ever completed a story or been partway through writing one when you realized “This just isn’t working as it should”?
Character Building Part of 3 – Using Emotional Conflicts as Plot 2-Weeks, Oct 2th – Sept 13th
Core Wounds sit in the heart of every person – both real or fiction.
Character Building Part of 2 – Core Wounds 2-Week, Sept 4th – Sept 15th
Core Wounds sit in the heart of every person – both real or fiction.
Character Building Part of 2 – Core Wounds 2-Week, Sept 4th – Sept 15th
Core Wounds sit in the heart of every person – both real or fiction.
Character Building Part I of 3 – Building Emotional Arcs 2-Week
Emotional arcs are a purposeful construct that enables you to take your story to the next level.