Using Emotion to Make Your Protagonist, Antagonist, or Villain Memorable – Mary Marvella
Emotion is the key, even more important than the plot.
Making Sensory Details Make Sense – Mary Marvella
The important thing about them is that we can’t just spread them around without purpose. Let’s look at ways we can add them with purpose. There are 5(or 6 grin) senses
Gut Punch: Using Emotional Conflict as Plot Intensive 2-week Workshop – Tere Michaels
We’ll examine the difference between internal conflict and external trauma and how they can bring a reader closer to the character – or drive them away.
Writing Historical Romantic Suspense – Beth Henderson
Whether you want to change history (as alternative allows you to do in various ways, just jump in your time machine) or insert characters into an earlier era and give them a crime to deal with or a crime in the making if someone is hunting them, or use actual historical personages – or not – in a real historic mystery setting…well, this workshop will touch on them all.
Imagination in Overdrive: Save the Plot Challenge! – Beth Henderson
Have you ever completed a story or been partway through writing one when you realized “This just isn’t working as it should”?
Character Building Part of 3 – Using Emotional Conflicts as Plot 2-Weeks, Oct 2th – Sept 13th
Core Wounds sit in the heart of every person – both real or fiction.
Character Building Part of 2 – Core Wounds 2-Week, Sept 4th – Sept 15th
Core Wounds sit in the heart of every person – both real or fiction.
Character Building Part of 2 – Core Wounds 2-Week, Sept 4th – Sept 15th
Core Wounds sit in the heart of every person – both real or fiction.
Character Building Part I of 3 – Building Emotional Arcs 2-Week
Emotional arcs are a purposeful construct that enables you to take your story to the next level.