Plotting the Screenplay Way Intensive 2-week Workshop – Susan Palmquist
You’ll learn to use an outline, and work through a series of three acts.
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You’ll learn to use an outline, and work through a series of three acts.
Let's look at editing away the stuff that doesn't involve our readers to create that final draft readers can't put down!
Commit one of these deadly sins and you’ll get a rejection or if you’re self-publishing, bad reviews. In this two-week class, we’ll work through each one and learn easy ways to correct them.
Whether you want to change history (as alternative allows you to do in various ways, just jump in your time machine) or insert characters into an earlier era and give them a crime to deal with or a crime in the making if someone is hunting them, or use actual historical personages – or not – in a real historic mystery setting…well, this workshop will touch on them all.
In this two- week class you’ll learn all about the business and how to set yourself up for success.
We'll examine the difference between internal conflict and external trauma and how they can bring a reader closer to the character - or drive them away.