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SUMMARY:Keeping the New Releases Coming
DESCRIPTION:Workshop Description: \nOnce\, long ago\, back in the halcyon days of decent sized advances – or advances\, period! – when many of us snagged contracts that guaranteed we’d have a new book out every year unless we didn’t turn in a book every year\, an author could make a living – a meager one\, but still a living – with less pressure. \nUnless you were Nora Roberts or Janet Dailey who were whipping out short romances on a monthly or nearly monthly scale\, that is. But the only way most of us had more than a single book out was to have a spin-off tale with characters from one book appearing in a book of their own\, or we jumped from one category to another\, or wrote for more than one publisher. I did romantic comedy for four different publishing houses plus historical romance back in the 1990s. While the words “rapid release” were never mentioned\, since the majority of them were under my Beth Henderson name\, it was the only version of “rapid release” back then. \nRapid Release is frequently bandied about these days. Most frequently for writers who have dived into being Independent publishers. But many of us with backlists went Indie with reprints\, so we already have a foothold in two places if we’re still pursuing traditional publication as well. \nBut traditional publication doesn’t promise “rapid release”\, mostly because there are so many small companies picking up the slack the large traditional companies have left available\, and editing\, cover creation\, formatting\, as well as office overhead means each traditionally published title\, even those not offered in paper editions\, is high. Rapid Release isn’t something they can afford to do in the manner we might like. Which means\, we need to do it ourselves. \nIn this 4-week workshop we’ll talk creating new shorter series to release independently to achieve the Rapid Release benefit – which is keeping our readers primed\, reading\, and eagerly hitting those Pre-Order buttons. We’ll also talk formatting of books\, cover creation\, and everything else that goes into getting these stories ready to load to Amazon as Shorts or Quick Reads or lined up with pre-order buttons. But FIRST\, we’ll talk what to put into a rapid release system of our own. \nInstructor Bio: Beth Daniels first went Indie with her backlist\, then added a couple stories that were new but “overlooked” by “intelligent” editors. You know the type. Obviously short sighted. In any event\, she also began writing in different genre niches under new pseudonyms and knew that in the Internet era of self-promotion that to kick start things\, and prime readers for novel length tales before the traditional publisher released something\, there needed to be other\, shorter stories in the same fictional universe. The first “born” of these was the Prequel Novellas in her Raven Tales world\, followed by Covert Cog novella length cases for her Weird West Steampunk teams to solve. In 2021 she went in yet a new direction\, mixing mystery with romantic comedy and the paranormal world for a set of stories written totally for rapid release and not tied to any of her other series. While she has 37 novels to her various names\, in her Indie world there are now 12 novellas tied to two different series worlds plus 8 short stories setting up yet other series worlds. All under the flag of “rapid release”. Visit her at www.4TaleTellers.com. \n 
URL:https://oiwi.org/workshop/keeping-the-new-releases-coming-2/
CATEGORIES:Past Workshops
ATTACH;FMTTYPE=image/jpeg:https://oiwi.org/wp-content/uploads/2022/11/OIP-4.jpg
ORGANIZER;CN="OIWI VP-Educational Services":MAILTO:karenmcatlinoiwi@gmail.com
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